SunDunce Loves Bringing Down America with the Company You Keep

SunDunce Redford, always mediocrity

The Radical Chic has more meaning to the well-healed left. Lies fit SunDunce Redford's lack of talent and delusional reading of "history." m/r

Bringing Down America with the Company You Keep
By Larissa Atbashian On March 25, 2013

My husband, Oleg Atbashian, was recently given a 24-hour deadline by Cliff Kincaid of America’s Survival to design a new book cover for the re-release of Bringing Down America: An FBI Informer with the Weathermen, a 1976 fact-based story by Larry Grathwohl.

Set in 1970, this riveting narrative chronicles one year of life on the lam with leaders of America’s most infamous domestic terrorist organization, as seen through the eyes of an FBI infiltrator posing as a radical communist. Prior to the publication, Larry Grathwohl testified before several federal Grand Juries, the U.S. Senate, and at the Mark Felt/Ed Miller FBI Trial.  Today he is still an active participant in the national debate on issues related to national security and terrorism.

Kincaid’s project was urgent because of the upcoming (April 5, 2013) domestic release of Robert Redford’s motion picture, The Company You Keep, which negates Grathwohl’s documented testimony and engages in historical revisionism.

While the artistic qualities of Redford’s yet unreleased independent film are being challenged by even liberal critics, Variety magazine has already created sympathetic buzz with a barrage of articles, calling the movie an “unabashedly heartfelt but competent tribute to 1960s idealism,” adding that “[t]here is something undeniably compelling, perhaps even romantic, about America’s ’60s radicals and the compromises they did or didn’t make.”

Redford’s film is based on the eponymous 2004 novel by Neil Gordon, the literary editor of The Boston Review and a frequent book reviewer for The New York Times, The Washington Post, and The Boston Globe. Predictably, Penguin Books has just reprinted his overt romantization of leftist terrorism as a movie tie-in, with a sexy new cover featuring Robert Redford himself.

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